flyer with a Korean pop concert and GW logo; text: The 27th Annual Hahn Moo-Sook Colloquium in the Korean Humanities Consuming K-pop: Soft Power, Marketization, and Cultural Appropriation

11/2/2019: The 27th Annual Hahn Moo-Sook Colloquium in the Korean Humanities

GW Institute for Korean Studies official banner with transparent background
Sigur Center logo with transparent background

Saturday, November 2, 2019

9:30 AM – 4:45 PM

Harry Harding Auditorium, Room 213

Elliott School of International Affairs

1957 E Street, NW, Washington, DC 20052

flyer for the 27th Annual Hahn Moo-Sook Colloquium

Korean popular culture is arguably one of South Korea’s most impactful exports, reaching a worldwide audience of devoted fans through strategic marketization. From music, film, television, sports to food, the “Korean Wave” (hallyu) has generated revenue and reshaped the topography of the global cultural landscape. This year’s Colloquium focuses on the K-Pop industry, the contemporary style of Korean pop music that has become popular in countries ranging from Indonesia and Thailand to Pakistan, Nigeria, and Chile. The speakers will examine diverse aspects of K-Pop: state-initiated efforts to employ the Korean Wave as a currency of soft power, corporate infrastructure, global fan practices that contribute to the transnational flow of popular culture, cultural appropriation, the production of idols, and the connections between K-Pop and Korean diasporic as well as other non-Korean communities.

Keynote Speaker

Kyung Hyun Kim, University of California, Irvine

Speakers

Bora Kim, Columbia University
CedarBough Saeji, Indiana University
Crystal Anderson, George Mason University
Imelda Ibarra, US BTS Army
Robert Ku, Binghamton University – State University of New York (SUNY)
So-Rim LeeUniversity of Pennsylvania

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