Tuesday, May 1, 2018
12:30 PM – 1:45 PM
Art in Indonesia is not typically found in a museum. Throughout the archipelago, pre-modern shrines are cut into rock faces, built on the banks of thunderous, rushing rivers, or carefully aligned with volcanic mountains. Sacred structures are positioned as organic parts of the tropical environment. Immersive and multisensory, they reveal a seamless connection between art and place. While the larger monuments suggest patronage by elites, constellations of minor shrines likely functioned as hermitages and places of worship for ascetics and local communities. Mapping these monuments reveals a dense network of sacred sites built up along rivers, lakes, and other bodies of water.
Beginning from riverside shrines in the jungles of Indonesia, this paper considers the close relationship between sacred art and landscape. It further explores strategies for reinvesting objects in museum collections with a sense of their intended contexts. Individual objects reveal aspects of the environments in which they were produced. In turn, even a basic understanding of Asian landscapes can transform a visitor’s encounter with an object that at first may be wholly unfamiliar. Within the galleries, an engagement with environmental factors, such as geology and climate, can invigorate museum collections and help them continue to grow creatively and in ways not limited to acquisitions.
This event is on the record and open to the media.
About the Speaker:
|Emma Stein at Belahan, a tenth-century site in East Java, Indonesia.|
Emma Natalya Stein is Curatorial Fellow for Southeast Asian Art at the Freer|Sackler, the Smithsonian’s museums of Asian Art, in Washington, DC. She is a specialist of sculpture and sacred architecture of South and Southeast Asia, with a primary interest in the ways in which art and landscape intersect. Emma completed her PhD in the History of Art at Yale in 2017, and she has conducted fieldwork in Cambodia, Indonesia, Thailand, India, Sri Lanka, and Myanmar. She has worked on exhibitions and publications at the Yale University Art Gallery, the Rubin Museum, and the Freer|Sackler, and she has lectured and taught at institutions in India, Indonesia, and the USA. Today she will discuss bringing context to collections, with a paper entitled, “Jungle Art: Southeast Asia at the Smithsonian’s Freer|Sackler Galleries.”