A poster that says the dates of the film screening and the title "Screening of Sinophone Independent Films"

[9/22/2025] Screening of Sinophone Independent Films: “All Static & Noise”

Monday, September 22nd, 2025

7:00 PM – 9:30 PM ET

Room 113

Elliott School of International Affairs

1957 E Street NW Washington, D.C. 20052

China’s independent film scene, once vibrant, now lies in ruins—shattered bricks and scattered debris. Yet survivors and newcomers continue to gather these fragments, seeking to rebuild hope through the power of cinema. Co-hosted by Non-profit JF Books and the Sinovisual Culture and Art Institute and CIFA, in collaboration with George Washington University, Georgetown University, USCET, and CAF, the inaugural 2025 Screening of Sinophone Independent Films opens a raw and authentic window onto China’s grassroots realities. At the same time, it interlaces Taiwanese documentaries with voices from Hong Kong, Uyghurs, the Philippines, and Africa—together sketching the silhouette of independent cinema’s resilient soul amid the ruins.

Theme of the festival: “Real Edges: Identity, Struggle, and Memory in a Shifting World”

What drives a Uyghur father and daughter to defy China’s censorship in Xinjiang? How do they preserve their bond amid cultural erasure? All Static & Noise unveils their fight for truth with haunting visuals and raw testimonies, stirring curiosity about resilience in a silenced land.

About the Guest of Honor

A picture of Jewher Ilham in black and white, staring at the camera

Jewher Ilham is Associate Producer of All Static & Noise, an author, and advocate for the Uyghur community and for her imprisoned father, Uyghur economist Ilham Tohti. In addition to appearing in the film, she hosted production in Washington, DC and Bloomington, IN. She was hugely instrumental in facilitating community engagement during production and post-production and advised the team on important aspects of the Uyghur experience. She provided expert advice, contributed archival footage, and connected the team with experts, witnesses, and translators. She also brought in many of the film’s participants. Ilham has testified before the U.S. Congress and Senate Foreign Relations Committee, published op-eds in The New York Times, CNN and the Guardian, and received numerous international awards on behalf of her father including the European Parliament’s Sakharov prize. In 2015, she recounted her experiences in her book, Jewher Ilham: A Uyghur’s Fight to Free Her Father. Her second book, Because I Have To: The Path to Survival, the Uyghur Struggle was released in 2022. Ilham currently works at the Worker Rights Consortium as Forced Labor Project Coordinator and serves as a spokesperson for the Coalition to End Uyghur Forced Labour.  

Sigur Center logo with line art of Asian landmarks
A poster that says the dates of the film screening and the title "Screening of Sinophone Independent Films"

[9/20/2025] Screening of Sinophone Independent Films: “In the Same Breath”

Saturday, September 20th, 2025

1:00 PM – 4:00 PM ET

Room 113

Elliott School of International Affairs

1957 E Street NW Washington, D.C. 20052

China’s independent film scene, once vibrant, now lies in ruins—shattered bricks and scattered debris. Yet survivors and newcomers continue to gather these fragments, seeking to rebuild hope through the power of cinema. Co-hosted by Non-profit JF Books and the Sinovisual Culture and Art Institute and CIFA, in collaboration with George Washington University, Georgetown University, USCET, and CAF, the inaugural 2025 Screening of Sinophone Independent Films opens a raw and authentic window onto China’s grassroots realities. At the same time, it interlaces Taiwanese documentaries with voices from Hong Kong, Uyghurs, the Philippines, and Africa—together sketching the silhouette of independent cinema’s resilient soul amid the ruins.

Theme of the festival: “Real Edges: Identity, Struggle, and Memory in a Shifting World”

In the Same Breath unveils the chaotic dawn of COVID-19 in Wuhan. With raw footage and fearless inquiry, it exposes propaganda and human costs across China and the US. A shattering, must-see journey into the truth. This film screening also serves as the opening ceremony for the film festival.

About the Director

A picture of Nanfu Wang, a Chinese woman, standing with her arms crossed and facing the camera

Nanfu Wang is a documentary filmmaker creating intimate character studies that examine the impact of authoritarian governance, corruption, and lack of accountability on the lives of individuals and the well-being of communities. With the rigor of an investigative journalist and immersive, emotionally powerful storytelling, Wang interrogates notions of responsibility and freedom, particularly amid the repressive state mandates in her native China.

Nanfu Wang completed a continuing education program in China before going on to earn an MA (2010) from Shanghai University. Wang also holds an MA (2012) from Ohio University and an MA (2014) from New York University. Prior to being admitted to the continuing education program, Wang worked as a primary school teacher.

Sigur Center logo with line art of Asian landmarks
A graphic for Nikah with the name, date, and location of the event

[10/25/24] Nikah: A New Uyghur Film

Friday, October 25th, 2024

5:00 PM – 7:00 PM ET

Harry Harding Auditorium, Room 213

Elliott School of International Affairs

1957 E Street NW Washington, D.C. 20052

Join the Sigur Center for Asian Studies’ Uyghur Studies Initiative for a film screening and discussion with the directors of the film Nikah! This film is an important part of the Uyghur diaspora’s artwork discussing the ongoing crisis in Xinjiang and how it uniquely impacts women.
 
Dilber is 27, and her mother wants to quickly find a husband for her — especially now that her younger sister Rena is settling into newly married life. But it’s 2017, a time when Uyghur people are being arrested without people knowing why. And one of those detained is Rena’s husband, questioned and held by the local district committee.

Subtle and carefully observed, Nikah is a powerful mid-length feature that captures the uncertainty of a young woman at a personal crossroads, while an immense tragedy of internment unfolds. As tensions rise and fears mount, Dilber’s regular FaceTime chats with a friend in Paris convince her that her best hope lies in marrying a young Uyghur man in France. But will that be enough?

Join the Sigur Center, the Inter Asian and Altaic Studies at Harvard University, and the Asia Society’s ChinaFile to discuss the film with the director.

Speakers

A picture of Dominik Mierzeejewski, smiling and looking at the camera
Mukaddas Mijit is an ethnomusicologist, filmmaker, dancer, and choreographer, born in Urumchi in the Uyghur region. She is currently a postdoctoral fellow at the Université Libre de Bruxelles, working on Uyghur artistic reaction in the diaspora after the human rights crisis in the Uyghur region. Nikah is her first medium-length film.
 
A picture of Dominik Mierzeejewski, smiling and looking at the camera
Bastien Ehouzan is co-founder of KIDAM, a film production company based in Bordeaux and Paris, founded in 2010. He has partnered with the production company L’Endroit since 2018. Nikah is his first medium-length film.
 
Sigur Center logo with line art of Asian landmarks

poster for cocktail part movie screening

10/24/2019: “Cocktail Party” Film Screening and Director’s Talk

collage of logos for the event

 

Thursday, October 24, 2019

6:00 PM – 8:45 PM

B12

Elliott School of International Affairs

1957 E Street NW, Washington, DC 20052

poster for cocktail part movie screening

Join us for a free movie screening of “Cocktail Party” and a discussion with the film’s director, Theodore Regge Life, and moderated by Dr. Steve Rabson, Professor Emeritus of East Asian Studies at Brown University.

Movie: When the daughter of a Japanese businessman in Okinawa charges that a U.S. serviceman assaulted her, the serviceman claims the encounter was entirely consensual. The ensuing civil and military investigations bring to light persistent resentment going back many years on both sides about the human toil of accommodating long term military occupation.

This event is free and open to the public.

colorful collage of headshots of activists and figureheads on the Korean comfort women issue; text: Welcome to the Battleground of the Comfort Women Issue

9/27/2019 Film Screening, “Shusenjo: The Main Battleground of the Comfort Women Issue”

Sigur Center logo with transparent background
GW Institute for Korean Studies official banner with transparent background
logo of the GW global women's institute

Friday, September 27, 2019
4:00 pm – 7:00 pm
Room 602, Lindner Family Commons
Elliott School of International Affairs
1957 E Street, NW, Washington, DC 20052

poster for shusenjo film screening event

Synopsis

The “comfort women” issue is perhaps Japan’s most contentious present-day diplomatic quandary. Inside Japan, the issue is dividing the country across clear ideological lines. Supporters and detractors of “comfort women” are caught in a relentless battle over empirical evidence, the validity of oral testimony, the number of victims, the meaning of sexual slavery, and the definition of coercive recruitment. Credibility, legitimacy and influence serve as the rallying cry for all those involved in the battle. In addition, this largely domestic battleground has been shifted to the international arena, commanding the participation of various state and non-state actors and institutions from all over the world.  This film delves deep into the most contentious debates and uncovers the hidden intentions of the supporters and detractors of comfort women. Most importantly it finds answers to some of the biggest questions for Japanese and Koreans: Were comfort women prostitutes or sex slaves? Were they coercively recruited?  And, does Japan have a legal responsibility to apologize to the former comfort women?

This event is on the record, and open to the public.

Photo credit to No Man Productions, LLC.

 

Director

black and white portrait of miki dezaki

Miki Dezaki is a recent graduate of the Graduate Program in Global Studies at Sophia University in Tokyo.  He worked for the Japan Exchange Teaching Program for five years in Yamanashi and Okinawa before becoming a Buddhist monk in Thailand for one year.  He is also known as “Medamasensei” on Youtube, where he has made comedy videos and videos on social issues in Japan. His most notable video is “Racism in Japan,” which led to numerous online attacks by Japanese neo-nationalists who attempted to deny the existence of racism and discrimination against Zainichi Koreans (Koreans with permanent residency in Japan) and Burakumin (historical outcasts still discriminated today). “Shusenjo” is his directorial debut.

Sultan Agung movie poster with painting of a Sultan in the background

12/2/2018: LA Indonesian Film Festival (LAIFF): Sultan Agung Movie Screening

logo of the Los Angeles Indonesian Film Festival
logo of the embassy of indonesia in washington dc
logo of the sigur center with transparent background
logo of Permias DC

Sunday, December 2, 2018 1:00 PM – 5:00 PM

Harry Harding Auditorium
The Elliott School of International Affairs
1957 E Street, NW
Washington, DC 20052

 

poster for movie called Sultan Agung

About the Event:

The Sigur Center for Asian Studies, the Organization of Asian Studies, Permias DC, the Embassy of Indonesia, and the LA Indonesian Film Festival will conduct a “Sultan Agung” movie screening and discussion with Hanung Bramantyo (the producer) and Marthino Lio (the actor). This movie is nominated as the best movie in the Festival Film Indonesia (FFI) 2018.

Schedule of the Event:

12:15 PM – 1:00 PM: Doors Open & Registration
1:00 PM – 1:10 PM: Welcoming Remarks
1:15 PM – 3:45 PM: Feature Film Presentation
3:45 PM – 4:00 PM: Program Break
4:00 PM – 4:45 PM: Q&A Discussion with Film Director and Actor
4:45PM – 5:15 PM: Program Conclusion

11/11/2018: Film Screening: The Tale of Samurai Cooking – A True Love Story

Sigur Center logo with transparent background

Sunday, November 11, 2018 3:00pm – 5:10pm

Amphitheater, Marvin Center
800 21st Street NW
Washington, DC 20052

japanese katana sword below a set of japanese food

The Sigur Center for Asian Studies  and GW’s Japanese Program cordially invite you to a film screening of The Tale of Samurai Cooking – A True Love Story.

This event is public and open to the media.

About the Event:

This event is part of the community outreach project of J.LIVE Talk 2018 presentation competition at the George Washington University. Doors will open at 2:50pm and close promptly at 3pm.

 

poster for film screening; text: Lesbian Factory and Rainbow Popcorn Film Screening & Discussions with Directors

11/19/18 Film Screening & Discussion: Lesbian Factory and Rainbow Popcorn

American University logo with transparent background
GW Department of East Asian Languages and Literatures logo
Sigur Center logo with transparent background
Women's, Gender, and Sexuality Studies logo

Monday, November 19, 2018 6:00 PM – 8:40 PM

Lindner Family Commons Suite 602
The Elliott School of International Affairs
1957 E Street, NW Washington, DC 20052

flyer for Lesbian Factory and Rainbow Popcorn event

The American University School of Communications Departments of Literature, of Anthropology, and of Sociology, the George Washington University Sigur Center for Asian Studies, and the Departments of East Asian Languages and Literatures, and Women’s, Gender, and Sexuality Studies cordially invite you to a film screening and discussion of Lesbian Factory and Rainbow Popcorn, with featuring panelists Jingru Wu and Teri Silvio who worked on the production of the film as well as Assistant Professors Li (Lily) Wong of American University and Assistant Professor Liana Chen of the George Washington University.

This event is free and open to the public.

About the Event:

The documentary couplet Lesbian Factory and Rainbow Popcorn shot by migrant worker activists in Taiwan, follows a group of Filipina migrant worker organizers and their tumultuous same-sex love relationships. The films bring together migrant labor activism with queer love to unpack the multi-layered texture of our globalized moment.

The screening will be followed by a panel discussion featuring the directors of the movie, Jingru Wu and Teri Silvio.

About the Speakers:

Jingru Wu is a long-time labor activist and a researcher at the Taiwan International Workers’ Association. Together with Susan Chen she has shot the two documentaries.

Teri Silvio is an Associate Research Fellow at the Institute of Ethnology, Academia Sinica, Taiwan. She has served as interviewer, translator, and member of the production team for the documentary films, Lesbian Factory and Rainbow Popcorn.

 

 

black and white photo of Lily Wong

Li (Lily) Wong received her PhD in Comparative Literature at University of California, Santa Barbara. Her research focuses on the politics of affect/emotion, gender/sexuality, comparative race, as well as media formations of transpacific Chinese, Sinophone, and Asian American communities. Her work can be found in journals including American Quarterly, Journal of Chinese Cinemas, Asian Cinema, Asian American Literary Review, Pacific Affairs and China Review International, among others. She has published book chapters in World Cinema and the Visual Arts (Anthem Press, 2012), Queer Sinophone Cultures (Routledge, 2013), and Divided Lenses: War and Film Memory in Asia (University of Hawai’i Press, 2016). She is the author of the book “Transpacific Attachments: Sex Work, Media Networks, and Affective Histories of Chineseness” (Columbia University Press, 2018).

 

 

 

 

headshot of Liana Chen with a flower

Liana Chen is an assistant professor in the Department of East Asian Languages and Literatures and director of the Chinese Program at George Washington University in Washington, D.C., where she is affiliated with the Sigur Center for Asian Studies and teaches courses on traditional and modern Chinese fiction and drama, film, and women writers.